Refractive Reasoning
A blog about photography and life behind the camera.
Sunday, 3 May 2026
The Cotton Factory By: Gord Barker
Thursday, 26 March 2026
Wanting Better by:Gord Barker
Perhaps the most interesting aspect of my photographic journey is that I'm never completely sure of how things will turn out. I founded the Paris Photo Collective in 2019. About a month ago, I walked away from it.
I don't feel any direct animosity towards the members of the group. I have always maintained that the group's direction and reason for existence should always be dictated by the group itself. Perhaps I've been wrong in that approach. Although I offered up the position of administrator of the group on a regular basis, no one else seemed to want to take it on. So without a clear direction for the group to follow, it has stagnated. It really has become nothing more than a social club with a lackluster bi-weekly photo contest.
Can we get past the smug sophomoric approach to photography which dictates that "I like my pictures and that's all that matters." I think that it's the second part of that statement that irritates the most. I mean, if you don't care how your images are perceived by others, why are you part of a photo group?
Perhaps even more irritating is the statement "I don't look at other people's pictures." Why? Are you afraid you might learn something? The acknowledgement of others' work as significant does not diminish the potential for one's own work to be considered valid or even great.
Furthermore, whenever I have proposed any educational aspect to the meetings, perhaps bringing in a guest speaker or when I have offered to teach a little about basic camera controls, the ideas have been met with vehement opposition. It would appear that I headed up a group that had no interest in expanding their skills or knowledge base.
I want to talk with photographers who want to expand their potential within this medium. I truly want to see their vision. I have been making photographs for over 57 years and I still want to learn more about the craft. Someday I hope to get good at it!
If I am to be a member of a photographic group, I want it to be a group that wants better! That's all.
...more later
.
Saturday, 31 January 2026
First Blog Of 2026 By; Gord Barker
Wednesday, 3 December 2025
Art Appreciation and the Human Connection, The Play "3 Hours, 10 minutes"
In July of this year, I was in Hamilton, Ontario and had the pleasure of attending three performances that were part of the Hamilton Fringe Festival. https://hftco.ca/hamilton-fringe-festival/
Of these performances, the one that had the greatest impact on me was a play, "3 Hours, 10 Minutes" written and directed by Raymond Beauchemin. https://www.raymondbeauchemin.com/
I recently attended a repeat performance of the play presented as part of the Art + Music + Food Festival at the Art Gallery of Hamilton. https://www.artgalleryofhamilton.com/ What can I say about this play? I liked it so much, I saw it twice!
| With Playwright/Director Raymond Beauchemin, "3 Hours, 10 Minutes" at the Art Gallery of Hamilton |
The essence of the play revolves around a New York Times article which challenged the readers to spend 5 to 10 minutes looking at a piece of art rather than the usual average of about 15 seconds. A man, responding to this challenge, becomes so engrossed in a piece of art, In this case, the Lawren Harris piece, "Grey Day in Town" that he spends 3 hours and 10 minutes looking at the painting in a gallery. He is eventually joined by a woman who starts viewing the painting as well and they strike up a conversation.
| Actor Mark Gamache, "3 Hours, 10 Minutes" with the painting "Grey Day in Town" by Lawren S. Harris, at the Art Gallery of Hamilton |
| With Actor Melissa Murray-Mutch "3 Hours, 10 Minutes" at the Art Gallery of Hamilton |
I don't think that I'm giving away too much when I say that the conversation transcends the discussion of a painting and becomes very human. The appreciation of the painting, in a way, becomes analogous to our appreciation of one another as humans.
At the Art Gallery of Hamilton presentation of the play, there was a discussion and q&a session complete with the original painting in the room. Before the session began, Raymond Beauchemin (playwright and director) and Melissa Murray-Mutch (actor in the play) were discussing a detail in the painting and at one point Raymond had his hand out pointing to said detail. I should have had my camera ready! It would have been a cool shot!
I laughed as I said to them that after writing and directing the play, as well as performances and endless rehearsals, they should know that painting better than any two people in the world. Yet here they were, still discussing details about it! I'm not sure if this was a case of art imitating life or life imitating art!
The play hit home for me on a number of levels. In one way, I could almost consider myself it's target demographic. I mean, as a photographer and creative, I present my vision in both digital and printed form. As both a creator and consumer of content, I'm more than well aware of the attention span of most people looking at images or reading written copy in this digitally deluged world.
I liked how the play made the connection between art and humanity. While 3 hours, 10 minutes may seem like an excessively long time to spend gazing at a painting, it may well be what it takes to really come to know and appreciate the piece. Similarly, it requires more than a quick glance and a passing acknowledgement to come to know and appreciate a fellow human being. Perhaps the way that we appreciate art has a direct correlation to our appreciation of one another.
If you get a chance to see this play, I'd definitely recommend it. It may change the way you see and appreciate art. Hell, it may change the way you see and appreciate humanity! In the words of "the man" character in the play, "It's really something!"
...more later
Tuesday, 11 November 2025
Remembrance Day 2025
Thursday, 9 October 2025
Thanksgiving Colour At The Dam by: Gord Barker
I've got it pretty dam good right now! Okay, a bad pun is probably not the best way to start a blog post. But, here's the thing. I live ridiculously close to Penman's Dam in Paris, On. The Penman's Dam area is beautiful all year round, but in Autumn, it is one of the most beautiful spots in Southern Ontario for fall colour photography. I know this to be true. I photograph it a lot. So much so, that it has become a running joke within my photography group, The Paris Photo Collective, to claim that I own the spot! Okay, I don't really own it, but, as a photographer, I'm clearly not above taking full advantage of my proximity to it! Due to a very warm dry September, the colors haven't really peaked yet. Stayed tuned! I think it's going to get better!
It has become a tradition for me to post "Autumn At The Dam" photos every year at Thanksgiving. After all, living so close to such a beautiful spot is one of the things for which I'm very grateful. So without further ado, here is this year's crop.




.jpg)
.jpeg)

