Refractive Reasoning
A blog about photography and life behind the camera.
Saturday, 31 January 2026
First Blog Of 2026 By; Gord Barker
Wednesday, 3 December 2025
Art Appreciation and the Human Connection, The Play "3 Hours, 10 minutes"
In July of this year, I was in Hamilton, Ontario and had the pleasure of attending three performances that were part of the Hamilton Fringe Festival. https://hftco.ca/hamilton-fringe-festival/
Of these performances, the one that had the greatest impact on me was a play, "3 Hours, 10 Minutes" written and directed by Raymond Beauchemin. https://www.raymondbeauchemin.com/
I recently attended a repeat performance of the play presented as part of the Art + Music + Food Festival at the Art Gallery of Hamilton. https://www.artgalleryofhamilton.com/ What can I say about this play? I liked it so much, I saw it twice!
| With Playwright/Director Raymond Beauchemin, "3 Hours, 10 Minutes" at the Art Gallery of Hamilton |
The essence of the play revolves around a New York Times article which challenged the readers to spend 5 to 10 minutes looking at a piece of art rather than the usual average of about 15 seconds. A man, responding to this challenge, becomes so engrossed in a piece of art, In this case, the Lawren Harris piece, "Grey Day in Town" that he spends 3 hours and 10 minutes looking at the painting in a gallery. He is eventually joined by a woman who starts viewing the painting as well and they strike up a conversation.
| Actor Mark Gamache, "3 Hours, 10 Minutes" with the painting "Grey Day in Town" by Lawren S. Harris, at the Art Gallery of Hamilton |
| With Actor Melissa Murray-Mutch "3 Hours, 10 Minutes" at the Art Gallery of Hamilton |
I don't think that I'm giving away too much when I say that the conversation transcends the discussion of a painting and becomes very human. The appreciation of the painting, in a way, becomes analogous to our appreciation of one another as humans.
At the Art Gallery of Hamilton presentation of the play, there was a discussion and q&a session complete with the original painting in the room. Before the session began, Raymond Beauchemin (playwright and director) and Melissa Murray-Mutch (actor in the play) were discussing a detail in the painting and at one point Raymond had his hand out pointing to said detail. I should have had my camera ready! It would have been a cool shot!
I laughed as I said to them that after writing and directing the play, as well as performances and endless rehearsals, they should know that painting better than any two people in the world. Yet here they were, still discussing details about it! I'm not sure if this was a case of art imitating life or life imitating art!
The play hit home for me on a number of levels. In one way, I could almost consider myself it's target demographic. I mean, as a photographer and creative, I present my vision in both digital and printed form. As both a creator and consumer of content, I'm more than well aware of the attention span of most people looking at images or reading written copy in this digitally deluged world.
I liked how the play made the connection between art and humanity. While 3 hours, 10 minutes may seem like an excessively long time to spend gazing at a painting, it may well be what it takes to really come to know and appreciate the piece. Similarly, it requires more than a quick glance and a passing acknowledgement to come to know and appreciate a fellow human being. Perhaps the way that we appreciate art has a direct correlation to our appreciation of one another.
If you get a chance to see this play, I'd definitely recommend it. It may change the way you see and appreciate art. Hell, it may change the way you see and appreciate humanity! In the words of "the man" character in the play, "It's really something!"
...more later
Tuesday, 11 November 2025
Remembrance Day 2025
Thursday, 9 October 2025
Thanksgiving Colour At The Dam by: Gord Barker
I've got it pretty dam good right now! Okay, a bad pun is probably not the best way to start a blog post. But, here's the thing. I live ridiculously close to Penman's Dam in Paris, On. The Penman's Dam area is beautiful all year round, but in Autumn, it is one of the most beautiful spots in Southern Ontario for fall colour photography. I know this to be true. I photograph it a lot. So much so, that it has become a running joke within my photography group, The Paris Photo Collective, to claim that I own the spot! Okay, I don't really own it, but, as a photographer, I'm clearly not above taking full advantage of my proximity to it! Due to a very warm dry September, the colors haven't really peaked yet. Stayed tuned! I think it's going to get better!
It has become a tradition for me to post "Autumn At The Dam" photos every year at Thanksgiving. After all, living so close to such a beautiful spot is one of the things for which I'm very grateful. So without further ado, here is this year's crop.
Saturday, 26 April 2025
The Blog
Saturday, 5 April 2025
Spring
I saw a heron this morning. Although I know that robins are the traditional birds of Spring, for me, it's the heron. I think that it has something to do with the heron being a bit of a totem creature for me. It is a bird from which I learned a lesson many years ago. Perhaps I will tell the full story in a future post. Ultimately the lesson is patience. Wait until the time is right and then strike like lightening!
As a sign of Spring, the heron needs open water to catch fish. It signifies an end to temperatures cold enough to freeze over a river or pond.
I went out for a walk this morning. The river is running dangerously high from several consecutive days of rain, snow and snow melt. The weather today is cold grey and rainy.
South of the border, a narcissistic lunatic is threatening the sovereignty of my homeland as well as the economic well being of the entire world. But, later, I was walking on a street downtown.
A couple was walking in front of me. The lady opened an umbrella and moved a little closer to her partner to hold it over both of their heads. It was a simple act perhaps. But one that proves that love, caring and kindness still exists in a cold, grey, rainy world.
And I saw a heron this morning.
more later
Wednesday, 26 March 2025
What I Want From A Photograph
What I'm doing when I look at a photograph is basically a feat of reverse engineering. I want to look at the picture and be able to look into the lens, through the camera out the eyepiece or screen and into the eye and mind of the photographer when he or she took it.
It was American photographer Dorothea Lange who said, "The camera is an instrument that teaches people how to see without a camera." That quote implies a certain emotional investment in the creation of the image. For a photograph to be successful, it is not enough to simply create an image of the subject or scene in front of the camera. Essentially, what I am trying to do when I make a photograph, is not simply make an image of the subject but portray my reaction to it or experience of it.
Doing that involves a bit of self examination. How do I feel about the subject? What about the subject appeals to me? After answering these questions either literally or instinctively, the next question is, "What visual elements, line, shape, colour, form etc. can I use to emphasize the aspect of the image or scene that appeals to me?" This is where shooting with intent comes into play.
An architectural shot of a building is a collection of shapes and lines. A photograph of an Autumn scene is a pallette of warm toned colours. A portrait can consist of the abstract shapes of facial features or simply a warm inviting smile.
For the viewer to like a photograph, it has to appeal at a visceral level. Achieving that requires an emotional investment on the part of the photographer and a level of skill in bringing it out. Anything less is not a photograph, but just another picture.
...more later



