Let's Take A Walk by: Gord Barker

     Having an editor can be hard. I had started a blog post about authenticity in photography and the arts. I thought it was pretty good. (Pretty ain't good enough!) I got my son Greg, photo / video/ copy editor at Barker Imaging, to take a look at it. His thoughts were that it was too abstract. It presented my philosophical take on the creative process, but did little to involve my readers in the actual nuts and bolts of the craft. He suggested that I try to present a more real-time account of what it's like to be out actually making photographs. He referenced the style of Ernest Hemingway. (his favourite author) Hemingway involved his readers in the scene in a very first person way. A little less about thoughts on the process, a little more on the action itself. Let the readers make up their own minds! 

    Well, I'm no Ernest Hemingway, but I kinda dug the concept. That being said, I decided to take you, the reader, on a little walk about town while I attempted to make photographs. The idea is to not only give you what's going on in the camera, but also what's going on in my head.

    It always begins with gear selection....Always. I have too much gear. Wait... Did I say that out loud? I sometimes envy my colleagues who have one camera and perhaps one or two lenses. They don't begin their adventures by staring into two camera bags deciding what they're going to take for a simple walk about town. Often I opt for my Fujifilm X100F. It's a very well appointed simple camera designed primarily for street and travel photographers. It doesn't take interchangeable lenses. It just is what it is. It's a great camera to grab when i just want go take some damn pictures!

My Fujifilm X100F
In my opinion, one of the best street photography cameras ever made.

https://refractivereasoning.blogspot.com/2017/04/the-silver-camera.html

       However, today I opt for the X-T cameras. I've got an X-T1 and an X-T3. I haven't used them in a while. They are the heavy hitters in my arsenal. They're both extremely well made , weather resistant, reliable as hell and just good cameras to use. I take the 35mm lens off the X-E3 and mount it on my X-T3. Arrange a few things in the Domke F2 camera bag and I'm good to go. Today I'm also bringing my little Olympus voice recorder. The idea is to record my thoughts while I'm doing this little walk and taking the photos. We'll see how it plays out.

My Fujifilm X-T series cameras

    I cross the street and start heading up the trail to the dam. I photograph the dam far too much. It's at the point now where friends in my photo group jokingly apologize when they shoot it! "I took some pictures of the dam in Paris today.... Sorry Gord!" I extend the joke further. "Okay, but next time pay the access fee and fill out the application forms in triplicate!" I don't really own the dam. It's just that I've photographed it so much it feels like I do!

    I start up the trail to the dam. The trail is a little muddy today. We've had some rain and the ground is also wet from snow melt. Typical spring conditions. I see some tracks in the mud made by a very large dog. It reminds me of seeing wolf tracks on the trail to Barth Lake in Northern Ontario. There was a line cabin on the lake that a kindly retired trapper allowed a friend of mine and I to use whenever we wanted as long as we took care of it. My mind starts reminiscing about times spent at the cabin. You can take the boy out of the North, but you can't take the North out of the boy! 

    Enough about the past. Photography is a human activity that is purpose driven. If I'm carrying a camera, my purpose, in that moment, is to make photographs. It's about capturing moments. To capture a moment I have to BE in that moment! It's about the here and now. It's about the stuff that is right in front of me. Perhaps that's what I was trying to get at when I wrote posts on this blog about shooting with intent. I can reminisce about good times spent at the old cabin later.

     I get to the dam and make a couple of perfunctory shots of it. The day is dull and grey. Not my favourite kind of weather for shooting. Unlike many photographers, I like hard light. I like contrast. Either visual contrast in the photo itself or subjective contrast such as an abandoned pair of ladies shoes vs. the wheel of a hot car in the background. If you want to get a handle on what might laughingly be called my style, look for the contrast. I like pictures that pop out at you to make you take notice

                                                                                                                                                                                                                 At the dam I make a couple of shots of the train bridge reflected in the water behind it. I'm shooting through a steel railing of the patio area close to the dam. I like how the reflection in the water is made abstract by the movement of the water itself. That contrast thing kicks in again. I wonder how it would look against the hard steel of the railing that I'm shooting through. I try it. It's not an award winning shot, but at least I'm thinking creatively. Perhaps I'll try the shot again sometime with a different lens or a different approach.

 

    I leave the area by the dam and walk up to the boardwalk that borders the river near the train bridge. I had done a nice shot of the boardwalk on a foggy morning about two months ago. I had photographed it from the perspective of looking toward the train bridge. Today I wanted to try the opposite approach, shooting it from under the bridge looking towards the town. It's the reason I brought my 16mm lens (Thanks Dean.) coupled to my Fujifilm X-T1 camera. (Thanks Tom.) As I'm getting that camera out of the bag, I'm startled by a train rumbling across the bridge overhead. Anyone who knows me knows that I like trains. I was practically raised on them. But DAMN they're loud when you're standing right under one! 

     

                                                                                                                                                                                                         Anyway, I take the shot I had in mind. I love using the wide angle lens whenever I want to emphasize depth in a photograph. Stop down the aperture (in this case f11) , focus on something in the foreground and let the damn thing stretch out!  Very cool!

    Leaving the area by the dam, I decide to go downtown for a coffee. With the exception of a quick street style shot that I did of a young couple walking in front of me, I really didn't see much downtown that caught my attention. I wandered over to the coffee bar at Wincey Mills, had an Americano and came home. That's it. That's all. It wasn't the best photo walk I've ever done. The New York Times isn't leaving me messages offering to send me to exotic places.  But, hopefully I've provided a little insight in how I do what I do. 

And I love what I do.

       ...more later 

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February Update by Gord Barker

     So it's the end of February, possibly the most uninspiring month of the year. I mean let's face it. The only good thing about February is that it's the shortest month on the calendar. But despite the cold and gloom of being in the dead of winter, I have to admit that some cool stuff has been happening in the photography aspect of my life.

    To begin with, I've started displaying my photos at Under the Oak Tree in The Gem Marketplace here in Paris Ont. (The Gem, 51 Grand River St. N. Paris, Ont.) Under the Oak Tree is a small studio/gallery operated by my friend, artist/photographer Rachelle Laurin. It features an eclectic blend of artwork by Rachelle and others as well as art supplies and photography by both myself and Rachelle. If you're in downtown Paris, check it out if you can.

Rachelle Laurin and myself opening my display at
Under the Oak Tree, Paris, Ont.

      

My photos at Under the Oak Tree

     In other news, my son, Greg has been working hard at mastering the new masking tool and other features in Adobe Lightroom. So much so, that he has been hugely helpful in passing on some his skills to his aging, somewhat technophobic father. It has resulted in major differences in how my images are finished before presentation and/or printing. For me, it really is a game changer. Now I want to go through my back catalogue of photos and do some major upgrading on my images. As I commented in a Facebook post on the subject, "Sometimes when you acquire a new hammer, the whole world starts to look like a nail!" 

Old bank building in Hamilton before Lightroom processing 

                                                                                                                            

Same photo after Lightroom processing by Greg and myself

                                                         

 

    Greg has also recently acquired a new iPhone 14. The camera on that phone is amazing! He has been shooting some video content with it and has recently acquired Adobe Premier Pro to further advance his video editing capabilities. I intend to put his skills in video editing to work as I branch out into that realm of image making myself. Greg has been promoted to head stills / video / copy editor for Barker Imaging. The blog that you're reading right now was not  posted until he spent some time on it, suggesting changes and checking things like, spelling, format and punctuation. (My father is correct on this) The job doesn't pay much, but I'm keeping a roof over his head! We've got a few ideas in the works for upcoming projects. Interesting times ahead!

    And last but not least, I've been spending a fair bit of time in Hamilton, Ont. That city is a street photographer's paradise. You get architecture that includes everything from Victorian and Classical Revival to Art Nouveaux and Modern. The scenery can be anything from beautiful tree lined streets to the grit and grunge of a tough industrial section. For the most part, The people are kind and usually amenable to having their picture taken. It can make for some interesting street portraits. and general street photography.

                                                    The city has a great arts community with quite a number of private galleries and cafes exhibiting interesting work. It also has the Art Gallery Of Hamilton where I have viewed  several photography exhibits including the current exhibit ''Chai'' by Canadian photographer Edward Burtynsky. https://www.artgalleryofhamilton.com/exhibition/edward-burtynsky-chai/ 

      

So, overall, I would say that I've managed to beat the February blahs rather well. I'm enjoying my time and making as well as presenting photographs that I like. Ultimately that's what the love of this craft is all about.

            ...more later

          

     

THINK! by Gord Barker

      In some ways, photography is too easy. These days, anyone with a cell phone or a half decent digital camera can make a reasonably good photograph. Knowledge of the fundamental, technical  aspects of the craft is almost unnecessary. I mean there are full time professional photographers walking around who don't know an f-stop from a bus stop!

    There was a time when I would have been appalled at this situation. (and, to a minor degree I still am) However, I think that I have somewhat mellowed with age. Photography is fundamentally about creating beautiful and/or interesting visual images. It has always been a results oriented endeavor. If I'm creating images that grab peoples' attention, no one (with the possible exception of other photographers) really cares about how I achieve the results.

     What brought this home to me (literally!) was a recent conversation I had with my son. Of late, Greg has been doing a lot of video and still photography editing. He shoots most of his content with an Iphone but occasionally uses a Canon EOS M3 camera passed on to him by yours truly. I have offered several times to walk him through basic camera operation but he is content to just leave everything on automatic (program mode) and get the images and video footage he needs. In his words "I'm an editor first. As long as I can get a shot that I can work with, I'm fine." He is the diametric opposite of his father whose approach is "Get it right in camera!" Where he is happiest playing with imaging in post, I am happiest behind a camera trying to reduce the time I spend in front of a computer. Two very different approaches to image making, but ultimately the goal is the same. Produce good work that is visually interesting. He has a good eye and a solid knowledge of composition. As I said earlier, photography/videography is results oriented. Ultimately the, imagery speaks for itself.

Photo of me by Greg Barker from a blog post he wrote here as a guest author.   https://refractivereasoning.blogspot.com/2022/06/living-with-photographer-by-greg-barker.html

Photo taken and edited by Greg Barker

     One would think that the simplification of the technical aspects of the craft would result in better images overall. I mean, if you don't have to be overly concerned with exposure settings, focusing a lens, and other technical details, you should have more time to concentrate on things like composition, various aspects of your subject and the overall message or mood that you want the photograph to convey. Sadly, I often find the opposite to be true. In various online and social media feeds, I find that a lot of the pictures tend to be pretty lackluster.

    I kind of touched on this subject in a piece that I wrote a few years ago. https://refractivereasoning.blogspot.com/2019/06/shooting-with-intent.html

   

     If I could offer one piece of advice to anyone who wants to create better photographic images it would be this. 

    "THINK!'' 

    Take a moment to think about the photograph BEFORE pressing the shutter button. Ask yourself, "Why am I taking this?'' "What message or mood am I trying to convey?"  "How do I want the final image to look?" "What tools / equipment do I have on hand to make that vision a reality?" "What compositional tricks (rule of thirds, leading lines, S curves etc.) can I use to make a more interesting composition?" "Would it help to change my viewpoint and move around to get a better view or composition of the subject?" Simply raising a camera or imaging device and pressing a button will invariably lead to a nicely focused, correctly exposed, boring photograph. 

    C'mon! You're better than that! Take a little pride in your work! Work the scene and get a better shot!

    Just because the photographic process has become automated, doesn't mean that your vision should be.

                    ...more later

      

    

    

           

Winding Down the Year - 2022

     So my very significant other mentioned to me, " Do you realize that your last blog post of the year will be published on New Year's Eve? No one's going to read it." My response, " Meh, they'll have something to read while they're in recovery mode the next day."

My showing earlier this year at the Taren White Gallery 

    It's been an amazing year for me. At the beginning of the year, my resolution was to get my pictures out there. In my opinion, it's far too easy to say, "I just take pictures for myself."  For me, the whole point of making visual images is to share my view of the world with others. I mean, if I can't do that, what's the point of making them in the first place? Although I had displayed my photos at a few pop-up art and craft shows in the past, I wanted to make an impact that lasted a bit longer than a simple one or two day weekend show.

    With that in mind, I booked a showing at the Taren White Gallery here in Paris. https://tarenwhitegallery.com/  and, later in the year, enjoyed an exclusive showing of my work at the Dog-Eared Café also here in town.https://www.dogearedcafe.ca/  While I did enjoy some success selling my pictures in these venues, (Hey, it's great to make some bucks!) The real benefit for me was that they established my presence in the local arts community. And what an awesome community it is! I subsequently attended shows and gallery exhibit openings from artists and photographers as diverse as artist \ photographer Dean Ellis (my photographic soul brother), the incomparable Amy Walsh-Harris, the awesome Kaitlynd Wilson, street and travel photographer extraordinaire Monique Campbell and many others. I've attended showings at venues like the Taren White Gallery, The Dog-Eared Café, The Paris Bohemian Gallery, the Tom Robertson Fine Arts Studio and Gallery,  the Art in the Workplace Exhibit at McMaster Innovation Park and the Art Gallery of Hamilton. 

Members of the Paris Photo Collective at the opening of 
my show a at the Dog-Eared Café      

    The biggest lesson I learned this year is this. Social media (Facebook, Instagram etc.) is great. But, if you really want to get "social" about your media, print out some hard copy of your work and get it hanging in a public venue. I've been astounded by the kindness and support that I've received for images that I've loved to create! It's been a truly humbling and gratifying experience.

With photographer / artist Dean Ellis and photographer 
Joe Johnson at the opening of Dean's show at the 
Tom Robertson Gallery 

    Speaking of "social", This was the year that the pandemic restrictions eased up enough for members of the Paris Photo Collective to resume meeting up face to face. In June, we started meeting again at the picnic shelter in Lion's Park. We've since met a few times on the back deck at the home of one of our members and, for the colder months, we moved to a heated loft above the garage of one of our members. I kind of dig the fact that we don't really have a permanent meeting spot. Hell, this is a group that has had informal meetings in the parking lot of a donut shop! We don't stand on ceremony.

With artist Amy Walsh-Harris at her summer art show

    What can I say about this group that I haven't said already? https://refractivereasoning.blogspot.com/2019/10/the-camera-club-that-isn-paris-photo.html Since starting the group back in 2019, the Facebook page now has a membership of 82 members. But, it's the ten or so members that regularly come out to meetings who are really the heart and soul of the group. Photographically, these people are my tribe. We get together and talk photography (a lot!), We laugh and joke around with each other (a lot!) We share some crazy stories about our experiences. We try to help each other out with some mild critique and helpful advice. What holds it all together is a common love of the photographic craft and a strong sense of friendship and respect in our pursuit of it. I've always said that we may be the craziest little photo group on the planet, but we crank out some damn good pictures!

    So, as I said at the beginning of this post, I've had an amazing year. All I can think of is thanks. Thanks to all the patrons who have liked and purchased my pictures. Your kindness and support means a lot to me. Thanks to the gallery owners and curators who work so hard to keep art and good photography in the public eye. As a photographer, I couldn't get the work out there without you. Thanks to the members of the Paris Photo Collective. You guys are a constant source of laughter, encouragement and inspiration. I am a member the best photographic family on the planet! Thanks to all my friends and family. I truly appreciate your tolerance when I want to take "Just one more!" Thanks to everyone who reads this blog. Thanks to a community that accepts and encourages my urge to share my visions of life captured in fractions of a second.

     It has been a great year and I've already got some ideas and plans for the new one. Stay tuned. Things could get interesting!

Happy New Year to All!

       ...more later       

 

      

     

Shooting Monochrome -by Gord Barker

     "The camera is an instrument that teaches people how to see without a camera."                                - Dorothea Lange 

   So it's almost the end of November, perhaps the dreariest month of the year. Was it only a month ago that the whole world was a blast of colour? It's about this time that I tend to shoot more black and white photos. I mean, the world around me looks monochromatic anyway. Time to dust off the street photography skills. I've always liked shooting in monochrome. It makes me work a little harder when I don't have the advantage of glorious colour to save my butt.

Small town street photography. Paris, Ont.

    Back in the dinosaur days of film photography, I spent over a year shooting almost all of my personal work on black and white film. Back then, I was doing a lot of commercial work and would shoot colour only if the client specified it. I learned a lot. (And I'm still learning!) When you eliminate the advantage of letting pretty colours save the photograph, visual elements like composition, form, shape, texture, shadow and lines become a lot more important. I became far more conscious of the quality and direction of light and how it affected my subject. It has been a crucial part of my personal education into just how powerful this medium can be.

Waiting. Brantford, Ont.

    These days, working in the digital realm, it can be tempting to shoot everything in colour and just convert it digitally to black and white later in post processing. I mean, hey, I can have the best of both worlds right? I find that the problem with this approach is that more often than not, the images taken never get transferred to monochrome. I just end up with a lot of mediocre colour shots. For me, the best approach is this. If I think that the image would look best in black and white, then shoot it in black and white in the first place! With the digital advantage of being able to see the photo right after I take it, I can quite often make any adjustments needed and, if necessary, re-shoot the image while still on location. I'm an old school photographer. Despite the creative advantages of post processing programs like Lightroom and Photoshop, I still firmly believe that, as much as possible, the photograph should be made in the camera. I've found that a little forethought exercised while still on location, saves a ton of post processing work later! Quite frankly, I'd rather be out shooting than spending hours in front of a computer screen attempting to fix up lackluster work.

    Black and white is, perhaps, the most dynamic genre of photography. It can be bold and powerful or seductively subtle. By eliminating the distraction of colour, it can command the attention of the viewer. From the standpoint of a photographer, it forces me to see the world in a different way. And, ultimately, that's what the practice of photography is all about. 

   ....more later  

  

 P.S.   It occurs to me that my next blog post will be published after Christmas Day. I want to take this opportunity to wish everyone the best for the Holiday Season. I am constantly amazed by the kindness and support I receive in pursuing a craft that I love.  When you get to make  photographs and have the joy of sharing them with family and friends, every day is Christmas!

   ...more later (again)    

Winding Down The Fall Colour Season - By Gord Barker

     So It's early morning on October 15th and I'm up at Penmans Dam here in Paris Ontario. It's been a dull rainy morning so far. Since arriving at the dam, I've spent a good chunk of my time hanging out under the eaves of a signboard kiosk waiting for a series of passing showers to clear. I've made use of the meager shelter it offers many times in the past.

     I don't know why I came up here this morning. I'd already photographed this place twice before in this season alone! The weather didn't look very promising from the outset. I guess I had the faint hope that the photo gods, fickle bastards that they are, would give me a break. 

     They gave me a break! 

     For a brief period of about five minutes,  I got a light blast through the overcast. The colours looked awesome against a stormy sky.  In my opinion, that's some of the best light possible for autumn colour photography. As an added bonus, a train crossed the bridge during that five minute window of opportunity!    I worked fast knowing that the photo gods, after giving you a blast of beautiful light, can just as quickly, take it away again. That's the thing about the photo gods, if they cut you a break, you have to prove yourself worthy of their benevolence. Or, in the words of American photographer Arthur Fellig (aka Weegee), "F8 and be there!" ( If anyone needs an explanation of that quote, leave me a note in the comments.)  Sure enough, almost as quickly as that light appeared, the clouds closed up and it was raining again a few minutes later. Did I mention that the photo gods are a fickle bunch? But I got the shots I wanted. Weegee would have been proud! 

     The Fall colour season has been a pretty good one this year. There were enough cool nights that the trees turned colour consistently. For the past few years, the colours have been a bit splotchy where some trees had dropped all their leaves while others were still green. 

     Besides my usual fall colour photos of Paris, I was lucky enough to get away with a dear friend to spend an awesome morning at Rattlesnake Point Conservation Area. Later that day we also visited Campbellville and St. George, On. It was a glorious day to be out making photos. 

     So as the Autumn colour season winds down, I feel both elated and a little sad. Happy that it was a good season this year, but sad that my favourite time of year is coming to an end. 

    But life goes on. Autumn is traditionally a time of Thanksgiving and I'm thankful that I got to make some good photos. I'm even more thankful that I got to share them with family and friends. Maybe the photo gods aren't such a bad bunch after all!

           ...more later 

As usual, if you like what you see here, feel free to hit "like" and comment. Also feel free to share to the media platform of your choice.

               

     

Community

    
     So I'm sitting at a meeting of the Paris Photo Collective. My friend, photographer Joe Johnson has just won the bi-weekly ''Golden Lens Cap Award'' for his photo of a butterfly that had landed on the side of a young lady. It's a cool shot. I get up and snap a few photos of Joe for the group Facebook page. As usual, there are lots of comments, lots of laughter and some good natured ribbing. I love this group. We take some seriously good photos but we don't take ourselves too seriously in doing it.

Joe Johnson with the Golden Lens Cap Award

    

     As I meander through this creative journey of photographic expression, one thing that I've come to appreciate more and more is the sense of belonging to a creative community. It helps to fuel my compulsion to continue on.

   For me, believing that my pictures are good enough to display and sell in a gallery or online requires a huge leap of faith. I mean, in this day and age, everyone is a photographer. Almost everyone has a camera, usually in the form of a cell phone, in their pocket. According to one source, upwards of 1.8 billion images are uploaded to the internet every day!    https://www.dailydot.com/debug/mary-meeker-photo-report/ 

Based on that, how can I possibly believe that my images are more  beautiful or more interesting than anyone else's? The short answer is... I don't. I firmly believe that everyone's creative vision or view of the world is valid. Ultimately, all I can do is make the images that I make and present them. After that I can only let the chips fall where they may. It's not up to me to gauge their intrinsic value or importance. 

    This is where being a part of a creative community comes into play. It's comforting to know that I'm not the only lunatic who loves to make visual images and present them to the world. Furthermore, the validation, constructive critique and helpful advice that I receive from other visual creative types goes a long way in helping me achieve the results I want in this creative journey. 

Members of the Paris Photo Collective  L-R Gord Barker, Dean Ellis, Joe Johnson                 At the opening of Dean's art exhibit at the Tom Robertson Fine Arts Gallery 
Brantford, On. http://www.robertsonfinearts.ca/studio-11-2/
photo by Tom Robertson 

 

Brantford Artist/Photographer Dean Ellis with
Paris On. Gallerist/Curator Taren White at the
Tom Robertson Gallery

 

 

    Earlier this year, I made a promise to myself to get the work out there. That being said, I booked a showing at the Taren White Gallery https://tarenwhitegallery.com/  in the spring and currently, I'm showing my work at the Dog-Eared Café here in Paris, On. https://www.dogearedcafe.ca/  It's been quite a ride. I've learned a lot about improving my own creative process as well as marketing my pictures. Best of all, it has catapulted me into being part of the local arts community. I have made some great friends and have enjoyed some success in selling my images.

Members of the Paris Photo Collective
L-R Maria Ko, Dean Ellis, Emily Kew, Adam Tipler
at the opening reception of my current show at
The Dog-Eared Café
Paris, On.  

Me at the opening of my spring exhibit
at the Taren White Gallery
Paris, On.

 

    So in my photographic life I'm in a pretty good place. I get to hang out with other like minded photographers in the Paris Photo Collective. I get to find the joy in making my images, as well as finding my niche in the local arts community.  The cool thing is, I'm just getting started. I've got a few ideas for upcoming projects as well as some minor changes in the style of photographs I'm making. Stay tuned. This could get interesting!

...more later